There
is a high need to re-educate and decolonize the minds and all should apply.
There was an apparent correlation between the readings from this week and my
experience at the Philippines Women’s University (PWU) last Thursday. We had
the opportunity to meet with Angel Velasco Shaw, Associate Professor in the Communication Arts Department at
PWU, and a group of her students. There was a conversation that was emotionally
deep and spiritually draining. The dynamics of the dialogue became more of a panel
discussion with us answering questions from PWU students and at one point, even
a professor.
Unfortunately we did not get the opportunity to discuss how the movie
that we watched called Slow Jam King (Mallorca,
2006) was woven into this week’s overwhelming theme of education and colonial
mentality.
There was clear identity issues being faced by
the character Jojo as he is physically dislocated from his motherland of the
Philippines, part of the large diaspora and attempting to hold on to Filipino
culture to no prevail (Constantino, 1982, pg. 191). At the same time he is
adopting what some may refer to as Black culture and participating in
appropriation and assimilation. The
movie touched base on cultural appropriation of dance that Jojo refers to as
hip huntry, White American love by his mother, and how songs are either an
influence or become stolen gems and claimed by others.
Identity is in constant context and influenced
by multiple forms of media, education and always by a dominant culture (Banks,
1996, pg 4). This covers the overall them of this reflection and analysis of
this week’s readings and experiences as well as previous readings and we will
explore how identity is constructed internally and perceived externally based
on mis-education and a long standing history of colonialism and white
supremacy.
This is due to the mis -education of the students and professors as their thoughts and image of what a "pure American" is as it is based on knowledge that is acquired through news, films, and other cultural materials (Constantino, 1982, pg 191). I believe that this is directly correlated with how identity is constructed as "identity dictates how individuals see themselves as both as a person and in relation to ideas, natuure, and others" (Andresen, 2012, pg 67). The students were asking questions and wanting the "pure American" students to answer perpetuating that whites "hold truth, not just perspectives" (Andresen, 2012, pg 71). It also showed a colonial mentality that seeked approval or confirmation from white people that they (Filipinos) have become "remade and resemble what Americans were used to" (Paulet, 2007, pg 179).
The consensus of the readings, the authors and
my experience at PWU is that education and language are crucial in identity
construction, knowledge formation and colonial mentality. There is a high demand
and need for re-education and all should apply. The question is, how do you get
those who are most qualified (highest levels of colonial mentality) to apply? And
once the process of decolonizing happens, how do we get the colonizer to do so
as well?
References
Andresen, T. (2012). Knowledge construction, transformative
academic knowledge, and Filipino
American identity and experience, In
E. Bonus & D. Maramba, (Eds.) The “other“ students: Filipino Americans,
education, and power. (pp. 65-87). Charlotte, NC: IAP.
Constantino, R. (1982). Miseducation of Filipinos. In I In A.V. Shaw & L.H Francia,
Vestiges of
war. (pp. 177-192). New York:
New York Press.
David, E.J.R., &
Okazaki, S. (2006). The Colonial
Mentality Scale (CMS) for Filipino
Americans: Scale construction and
psychological implications: A review and recommendation. Journal of Counseling
Psychology 53 (1), pp. 241-252.
Mallorca, S. (2006) Slow
Jam King. Motion Picture. USA: Woo Art International
Paulet, A. (2007). To change the world: The use of American
Indian education in the
Philippines. History of Educational
Quarterly, 47 (2), 173-202.



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